Author: Carol Reynolds
Dr. Reynolds was long a professor of Music History at Southern Methodist University in Dallas, TX. Since retiring, she has focused her professional career outside of the university walls, teaching and speaking on the importance of the fine arts to homeschoolers, concert audiences, and travel enthusiasts. For decades, she has served as an educator for arts organizations, including the Dallas Symphony and the Van Cliburn Foundation. Fluent in Russian and German, Dr. Reynolds has led educational tours to Russia, Germany, and arts centers in the US. Now on behalf of the Smithsonian Institute she speaks to audiences in the Holy Land, the Caribbean, and across the Atlantic, and leads arts tours to Eastern Europe.
Dr. Reynolds is the author of the homeschool multi-media courses Discovering Music: 300 Years of Interaction in Western Music, Arts, History, and Culture and Exploring America’s Musical Heritage. She is currently creating a course covering Early Christian liturgical music from the Temple in Jerusalem through the Middle Ages.
People often tell me they are teaching classical music through “Composer Studies,” choosing one composer at a time, listening to his music, and reading about his life. But are biographies necessary or even a good tool for teaching the arts? Let me offer an example to explain why I am likely to say “no.” Almost …
They all went after the farmer’s wife, Who cut off their tails with a carving knife … Not any more, it seems. Apparently, in today’s politically correct world, toddlers aren’t supposed to hear about tails being cut off with carving knives. (At least so it appears, based on a doctored rendition of “Three Blind Mice” …
At the toddler stage, teaching art to kids is easy: Throw on a smock and get out the finger paints. They need no inspiration. They have a visceral connection to their self-expression in color. But as children grow, their relationship to art changes. Art is no longer simply a reflection of their own self-expressions. But …
We all do it, don’t we? We carefully defend the bold choice we’ve made to educate our children seriously and rigorously. Friends or relatives may assert that we are choosing outdated traditions, irrelevant in our techno-saturated world. Latin in elementary school? Whatever for? The Great Books? Aren’t they terribly boring? Handwriting and memory work? We …
We live in an era highly focused on the visual. Our lives are shaped by digital images blasted from cell phones, tablets, and massive billboards that obliterate the night sky with their intense light. Yet, despite this visual stimulus, we travel farther each day from meaningful encounters with the important human expression called “art.” What …
At church they don’t bother to pick up a hymnbook. They don’t even mumble or pretend to sing. Of the people who come to my booth at conferences to talk about music, many claim they can’t sing. Nonsense. I’m giving it a name: cantiphobia. And I’m here to cure it. The ability to sing is …
Seemingly simple, the question of what makes a song good is actually a complicated one. What does the word “song” actually mean? One reliable definition would be “a composition of relatively short duration characterized by a melody, to which words are placed.” But people use “song” to refer to all sorts of music, including purely …
Classical educators know that the quadrivium includes music as one of four core subjects along with arithmetic, geometry, and astronomy. This list can strike our modern minds as puzzling. If we are to approach music as a classical subject, we need to rethink our terminology and what it really means to study music. Today, …
