Instructor:
Jim Fielder. Mr.
Fielder has been an influential figure in modern popular
music. He was the founding bassist with the legendary band
Blood, Sweat,
and Tears in the late 60s and early 70s, and has been
Neil Sedaka's
bassist for 32 years, also playing bass on the first two albums
for the supergroup Buffalo
Springfield, on jazz guitarist George
Benson's "Tell
It Like It Is," and other recordings by Danny
O'Keefe, Al
Kooper, Chris Hillman,
Mary McCaslin,
and Gene Clark, the
founder of the
Byrds. Read more about him here.
Description: This is
a primary technical course in music which focuses on the tools
you will need to assume a leadership position in whatever
musical situation you are cast. You will have the knowledge
and skills to create an original musical idea or borrow one
from an outside source and mold that idea to fit the singers
and musicians with whom you work to make a sound which fits
your musical style. Whether your ultimate goal is in classical
performance or composition, music education, or commercial
music, or whether you simply wish to pursue amateur musical
activities, you will have the foundation for the further musical
studies needed to achieve your aim.
Most of your musical training so far
has been focused on one thing: playing your instrument or
using your voice as well as possible. Now you must concentrate
on a more important instrument - yourself. You must improve
the skills within your mind: your sense of pitch, your sense
of time, your sense of melody and harmony. You must arrive
at the point where you can take the music you hear in your
head and instantaneously sing it, play it, and write it down.
You ARE the music.
Suggested Age: Grades
8+
Prerequisites: A basic familiarity with music.
Some facility with a musical instrument is preferable.
Required Course Materials: Access to a piano
or keyboard
(required);
tuning fork A440 (recommended)
Content Goals: Find the tonic note of a piece
of music and identify that
note by reference to a given tone (ex: a tuning fork).Sing
and play all intervals from a given note. Transcribe a melody
from hearing (dictation).Sight sing a written melody.
Compose an original melody and harmonize and transcribe it
without the use of an instrument. Sing the major and minor
scales up and down and play them on your
instrument in any key. Transcribe rhythm from dictation. Identify
the primary chord types by ear. Identify a chord's root note
by ear. Construct all chords from any given root on paper
and on your instrument. Transcribe a chord progression by
ear. Name all possible chords to harmonize a single melody
note. Transpose a melody and it's harmony to any different
key. Improvise a melody from a given chord progression.
Class Chat Time: Tuesday, 11:00 a.m. est.
High School credit: one half year/one semester
of high school credit.
Click
here to enroll in Understanding Music, Spring 2010 ($199.95)
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